My research is enmeshed within aural-visual cultures, critical theory and contemporary art practice. I am interested in developing modalities of listening across academic writing, performance and mixed media installation. Within an age of finitude and increasingly obfuscated digital materialisms, how as Isabelle Stengers asks, do we ‘listen to that which insists, obscurely?'
I take a politico-imaginary approach to contemporary ecological debate. This has led to experimental projects covering a range of issues including cryptozoology, digital trash and postproduction nature sound. I am committed to amplifying forms of power within the creative and critical use of documentary media and site-based performance practices. The technologized landscapes of contemporaneity demand a multi-sensual response in which the affective and non-representational must be encountered within the hard realms of knowledge production or ‘truth’. In this sense my research constantly navigates the mediated rituals and constructs bound into any process of capture and framing. What or who is being excluded within such processes is a central question, as is a consideration for more-than-human witnessing and rights.
Aurality [cultures, power, ecology]; nature/post-nature studies [subjectivity, rights, representation]; media ecologies [materialisms, infrastructures, histories]; performance [site-specific art, fictions, documentation]; technology [animals, recycling, misuse]
Associate Lecturer [MA/BA Sound Arts] London College of Communication, UAL
Post-Doctoral Research Fellow [Listening Across Disciplines II] AHRC, UAL
Visiting Lecturer [MA Ecology & Contemporary Performance] University of the Arts, Helsinki
Artist in Residence [Leverhulme Trust, 2017] MMU
Co-Convener/founder [Points of Listening] CRiSAP
Visiting Lecturer [MA Fine Arts] Central Saint Martins, UAL
Visiting Lecturer [MA/MFA Performance Practice as Research] Central School of Speech and Drama